While lesser bands of the day continue to increase in infamy, get bootlegged, and be sported on shitty looking tshirts by members of bands with names like Social Crisis, Negative Abuse, Ripping Group, Control Unit, etc., The Stains languish in semi-obscurity, known only to collectors and old men. Their s/t 12″ is one of the best examples of why SST is simultaneously the greatest and shittiest label of all time. While new Mojack and Zoogz Rift CDs are stillĀ appearing on a weekly basis, Mr. Ginn has records like this deleted from his catalog (to say nothing of The Dicks - Kill From the Heart, and the undoubtedly massive archive of unreleased Black Flag).
The Stains 12″ is one of the earliest recordings of meat and potatoes USHC, created in ‘81, although the band was started allegedly as early as 1976, the album didn’t actually see release until 1983. What a bummer for the band, (they broke up shortly after). You can still taste some of the heavy metal and rock influences that the members would have obviously drawn from, coming up in the original LA Hardcore scene. It’s not that far off a band like The Fix who were making similar sounds during this time, despite no close proximity to The Stains. I gotta mention that for an album recorded by Spot this one has a great sound. Crunchy thick guitar (much thicker than usual), solid drums, and vocals that are, for once, not 10x too loud in the mix. Maybe the fact that personalities like Greg Ginn or Bob Mould weren’t flexing their egos all over the process is the reason this record actually sounds good. I think these guys might have some connection to Overkill L.A. (another great lost SST band), but I’m not entirely certain.